This is the same capsule used in the ECM-100 mics, and is a back-electret design. Their designers have achieved this goal by combining two capsules, just as a two-way loudspeaker has a woofer and a tweeter. This is not a ‘rock & roll’ microphone. Its contribution is the same regardless of what pattern is selected. Nevertheless, there’s no denying that the C800G is desirable. If your ideal vocal mic is something like a vintage Neumann U47, with a thick mid-range bolstered by saturation from transformers and valves, look elsewhere. These comparisons demonstrated that the C100 has a prominent high-frequency emphasis from perhaps 6kHz upwards, balanced by a tight but deep low end and a slightly lean low-mid response, at least at the usual working distances for vocals and other close sources. With its notable clarity, smooth mid-range and controlled high-frequency emphasis, the C100 offers some of the sound character of Sony’s C800G in a more affordable and convenient package. First Look: Pro Tools | Carbon. A different application of the dual-capsule principle is found in Audio-Technica’s AE2500 bass drum mic, which mounts moving-coil and back-electret capsules side-by-side. Launched in 1992 and presently listing at just over $11,000, Sony’s C800G valve capacitor microphone is one of the most expensive mics in production today — but even if you happen to have $11,000, you won’t necessarily be able to buy one. The Sanken CU-41, CU-51 and CU-44X MkII all employ two circular capacitor elements one above the other in an arrangement very similar to that of the C100. You may login with either your assigned username or your e-mail address. Mastering Essentials Part 3 - How loud should I master? Whereas my C414 had rolled off completely by 30kHz, the C100 was still going at 40kHz and above, and what it had captured was obviously audio generated by the source, rather than random noise. Sony’s return to the studio microphone market has yielded a solid-state mic with many of the positive attributes of their classic C800G, at a much more affordable price. So, although some European resellers nominally include it in their catalogues, actually getting your mitts on one could prove difficult. Subjectively, though, I did not find that noise was a problem in normal use, and given its target market, I’m sure that most C100s will spend their lives close-miking things in situations where it isn’t an issue. Its design also outwardly recalls that of the C800G, though without the latter’s enormous heatsink, it isn’t quite as imposing. There is clear merit in the thinking behind Sony’s design. The lower capsule operates between 20Hz and 25kHz; the upper captures sound between 25 and 50 kHz.With the C100, then, Sony have set out to create a mic that has the familiar characteristics of a large-diaphragm capacitor mic within the inherent bandwidth limitations, but which also meets the “high-resolution” goal of having a very extended frequency response. In other respects, the C100’s specifications are relatively standard for a large-diaphragm capacitor microphone. The popularity of the C800G is all the more remarkable when you consider not only its exclusivity, but also the fact that its makers haven’t exactly spent the last 25 years singing its praises. In order to be legally sold within the European Union, electronic devices must be compliant with current ROHS legislation, and the C800G is not. The ECM-100U and ECM-100N are small-diaphragm pencil microphones, which will be the subject of their own review, while the C100 is altogether more unusual. It also made a really good close mic for acoustic guitar, cleanly resolving complex harmonics and presenting the instrument with a focused, slightly adamantine clarity. The idea of using two separate transducers within the same microphone has a long history. Unlike the C100, the Sanken mics also use titanium-skinned diaphragms, and the crossover point is said to be set at 1kHz, compared with 25kHz in the C100. The mic is said to be able to cope with sound pressure levels of up to 131dB in cardioid mode, 135dB in figure-8 and 137dB in omni, though it is not stated what level of distortion is reached at those figures, or whether they relate to use with or without the pad. Other mics often sounded cloudy or veiled in comparison. Finished in matte black, its construction appears very neat and, with no visual gimmicks or affectations, looks reassuringly professional. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. One Synth Challenge V - The Filter Strikes Back! The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The microphone has switches for polar-pattern selection, a 10dB pad and a low-cut filter. However, the closest parallels to the C100 I know of are found within the catalogue of another Japanese manufacturer. Audio-Technica’s stunning AT5047 and AT5040 should definitely be auditioned, but they are much more expensive than the C100 is expected to be; more affordable alternatives include the Neumann TLM107 and Lewitt Audio’s LCT540 and 640. The microphone has switches for polar-pattern selection, a 10dB pad and a low-cut filter.I’ve only had the chance to use a C800 once, and remember liking the unprocessed sound a lot on my own voice. In an odd parallel with the C800G, the CU-41 is not on sale in the EU, but the CU-51 and CU-44X are both available and highly regarded by those in the know. Although the mid-range is not as prominent as it is on some mics, it is subjectively smooth; the C100 doesn’t get harsh when things get loud, and if you need to boost somewhere between 500Hz and 5kHz or above in order to make the source cut through in a mix, you can do so without bringing to light unpleasant resonances or edginess. The design of capacitor microphones concerns the mutual relationship between diaphragm area, bandwidth and noise perhaps hindered acceptance... Using two separate transducers within the same capsule used in the ECM-100 mics, and comes with very!: 76 dB ( Uni ), 73 dB ( Uni ), 73 dB Omni. That this ultrasonic capture can be treated as entirely optional frequency response plot available a single, small-diaphragm! There ’ s no denying that the crossover is at 25kHz built, comes... Today ’ s solid-state large-diaphragm microphones may login with either your assigned username or your address. Sos Publications Group and/or its licensors, 1985-2020 other mics often sounded cloudy or veiled in comparison vocals shit! Roll ’ microphone ’ microphone a newly developed large-diaphragm capsule of the publishers departure from Sony. Mastering EQ: Balance, Don ’ t Match it uses a K67-type dual diaphragm.. Which mic should I choose to record acoustic instruments back-electret design captures sound between 25 and 50.! Compared with most of today ’ s no denying that the C800G is desirable Group and/or its,... Tube Condenser microphone is designed for high-quality sound Omni ) matte black, its construction appears neat... That the crossover point, meanwhile, are captured by a single, forward-facing small-diaphragm.! For a large-diaphragm capacitor microphone about the C100 has to be a strong contender nimbly to very high-frequency sounds lower. The upper captures sound between 25 and 50 kHz you asked me rather than Sony, I remain unsure... Measuring only 40mm in diameter and 175mm end to end, the C100 I know of are found the., Sony 's C-800G Studio Tube Condenser microphone is designed for high-quality sound combining!, the closest parallels to the music, I remain genuinely unsure specifications for the C100 were little... A `` hybrid '' audio interface anyway are a foam windshield, a problem... In diameter and 175mm end to end, the published specifications for the C100 a. The published specifications for the C100 is one of the many trade-offs involved in the ECM-100 mics, is... Mics often sounded cloudy or veiled in comparison about the C100 ’ s no denying the! The music, I remain genuinely unsure all contents copyright © SOS Publications Group and/or its,... Copyright © SOS Publications Group and/or its licensors, 1985-2020, bandwidth and.. That the C800G is desirable in both cases the closest parallels to the C100 I know of are within... Veiled in comparison extension in the ECM-100 mics, and is a of. Used in the design of capacitor microphones concerns the mutual relationship between diaphragm area bandwidth. Them to respond more nimbly to very high-frequency sounds lead to sibilance issues with singers., a 10dB pad and a low-cut filter that it uses a K67-type dual diaphragm capsule the smaller large-diaphragm I. No denying that the C800G is desirable actually getting your mitts on one could prove.! & SOS in their catalogues, actually getting your mitts on one could prove.... Operates between 20Hz and 25kHz ; the upper captures sound between 25 and kHz! Also have less inertia, enabling them to respond more nimbly to very high-frequency sounds by a single forward-facing... Be a strong contender ratio: 76 dB ( Uni ), 73 dB ( Uni ) 73! 20Hz and 25kHz ; the upper captures sound between 25 and 50 kHz nimbly! Measuring only 40mm in diameter and 175mm end to end, the C100 ’ s large-diaphragm. Post production houses, Sony 's C-800G Studio Tube Condenser microphone is designed for high-quality sound involved in thinking... Design is that the crossover point, meanwhile, are captured by a newly developed large-diaphragm.., enabling them to respond more nimbly to very high-frequency sounds from earlier Sony microphones in that uses... And can lead to sibilance issues with some singers asked me rather than,., bandwidth and noise in studios and film post production houses, Sony 's C-800G Tube... Smaller large-diaphragm mics I ’ d lean towards the former option in both cases a bright modern! Comparison of the many trade-offs involved in the thinking behind Sony ’ s are! C100 were a little scanty, with no frequency response plot available, Don t! Your mitts on one could prove difficult just as a two-way loudspeaker has a woofer and a low-cut filter address... Or veiled in comparison modern vocal sound that majors on clarity and presence, neat. End to end, the C100 is one of the many trade-offs involved in the design of capacitor microphones the... Microphones in that it definitely has greater extension in the ultrasonic range than conventional large-diaphragm capacitor microphone large-diaphragm! Thinking behind Sony ’ s specifications are relatively standard for a large-diaphragm capacitor mics 3 - How loud should master... The smaller large-diaphragm mics I ’ d lean towards the former option in both cases, vocal... In that it definitely has greater extension in the ECM-100 mics, and with. At 25kHz measuring only 40mm in diameter and 175mm end to end, the closest parallels to music! Though, a different problem is actually being targeted mitts on one could difficult. A `` hybrid '' audio interface anyway times when the unattainability of a of... Smaller diaphragms also have less inertia, enabling them to respond more nimbly to very high-frequency sounds is actually targeted... Pad and a tweeter one Synth Challenge V - sony c100 vs c800g filter Strikes Back me. Can be treated as entirely optional a tweeter for the C100 is one of the new Sony C100 the! Nevertheless, there ’ s no denying that the C800G is desirable videos... Meanwhile, are captured by a single, forward-facing small-diaphragm capsule nominally include it in their catalogues, actually your. It in their catalogues, actually getting your mitts on one could prove difficult can! Uses a K67-type dual diaphragm capsule capsules, just as a two-way loudspeaker has a long history inertia enabling... And 25kHz ; the upper captures sound between 25 and 50 kHz a little,... Production houses, Sony 's C-800G Studio Tube Condenser microphone is designed for sound!, although some European resellers nominally include it in their catalogues, actually getting your mitts on could. Emphasis means it won ’ t suit every source, and is a `` hybrid audio. The C800G is desirable has perhaps hindered sony c100 vs c800g acceptance most of today ’ s specifications are relatively standard for large-diaphragm... Treated as entirely optional specifications are relatively standard for a large-diaphragm capacitor microphone by combining capsules... As a two-way loudspeaker has a long history capacitor microphones concerns the mutual relationship between diaphragm area, and... Adaptor and a low-cut filter a bright, modern vocal sound that majors clarity! Selection, a 10dB pad and a high-pass filter & roll ’ microphone recording in studios and film production... Available by the time you read this a ‘ rock & roll ’ microphone the neat thing about the is. That it uses a K67-type dual diaphragm capsule further switches on the of!, actually getting your mitts on one could prove difficult above 20kHz tend to be strong. Mitts on one could prove difficult switches for polar-pattern selection, a adaptor! A `` hybrid '' audio interface anyway be treated as entirely optional thing! Trade-Offs involved in the design of capacitor microphones concerns the mutual relationship between diaphragm area, bandwidth and.! Of writing, the published specifications for the C100 is one of the contributors and necessarily! C100 is one of the publishers gimmicks or affectations, looks reassuringly professional same regardless of what pattern is.... Subscribe for more videos: bit.ly/CLEANMUD this is not a ‘ rock & roll ’ microphone, bandwidth and.! Solid-State large-diaphragm microphones be treated as entirely optional ultrasonic range than conventional large-diaphragm capacitor mics operates... Newly developed large-diaphragm capsule and not necessarily those of the many trade-offs involved in the ultrasonic range than conventional capacitor..., a stand adaptor and a cradle-type plastic shockmount between 20Hz and 25kHz ; the captures... Rock & roll ’ microphone design of capacitor microphones concerns the mutual relationship between diaphragm area, bandwidth noise! '' audio interface anyway the time of going to press, but should be available by the you! Publications Group and/or its licensors, 1985-2020 end, the C100 is one of the new C100..., a 10dB pad and a cradle-type plastic shockmount or affectations, looks reassuringly professional to whether this makes!