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Always alternate the fingers in all the combos: Two finger combinations: i-m / m-i / m-a / a-m / i-a / a-iThree Finger Combinations: a-m-i / a-i-m / m-i-a / m-a-i / i-a-m / i-m-a. Could my legato sound be better? If you don’t know your finger names on your right hand here they are:i = indexm = middlea = angular (ring finger)p = thumbSUPPORT: https://www.thisisclassicalguitar.com/donate-support/WEBSITE \u0026 BLOG: https://www.thisisclassicalguitar.comLESSONS: https://www.thisisclassicalguitar.com/lessons/FREE SHEET MUSIC: https://www.thisisclassicalguitar.com/sheet-music-for-classical-guitar/GEAR, STRINGS, GUITARS: https://www.thisisclassicalguitar.com/classical-guitar-store-reviews/ I notice that between Fernando Sor’s studies and Guiliannos, for example, they will quite often, each use different right hand fingering for playing the same arpeggios–maybe even the same songs. If I could chime in as well… I didn’t come to classical guitar until 6 years after playing lots of rock metal folk etc. – When alternating, ensure that one finger is always in and the other out. The 122 page book includes: Practice Routines, Tips, 100 Open String Exercises, 120 Giuliani Arpeggios, Scales, Slur Exercises, Shifts, Finger Independence, Barre, Tremolo, Common Harmonics, and much more. Here are a few lessons on right hand alternation for the classical guitar. There is concept and usability and then specific fingering for specific situations. -Practice all this using open strings at first, so that … Also follow on Facebook | Twitter | YouTube | Instagram | Patreon. I guess the only question is: how much do you want to sound like Sor? Learn more about our Terms, Conditions, Cookies, & Privacy Policy. If you input the piece into your brain (and muscle memory) the same way each time, you learn much more quickly. Get the PDF eBook here: https://wernerguitareditions.com/products/20-favorite-exercises-pdfLesson: Alternating Right Hand Fingers for Classical GuitarAlso called Right Hand Walking ExercisesHere is Lesson No. Finger alternation is also a valuable technique in playing staccato passages. In addition to the main three listed above, there are also other common techniques, issues and areas of study. This is one of the most important concepts of right hand fingering for classical guitar and essential for beginners to accomplish. If you don’t know your finger names on your right hand here they are: i = index; m = middle; a = angular (ring finger); p = thumb. YouTube Video Lesson Link. Also follow us on Facebook, Twitter, YouTube, Instagram, and Patreon. 1 – Right Hand Walking or Alternating Right Hand Fingers. Advanced students may wish to bring the metronome up to 120 beats tot he quarter note. When you memorize a piece (or anything, really), your brain forms connections, and creates a “formula” to recall it. I’m concerned that if I’m not consistent in using the same right hand fingerings I will develop bad habits. Sor duets (double disk). The right hand finger should move directly away from the left hand fingers without bouncing off of them. Kazuhito, Yamashita. Having said all of that, plenty of guitarists play fantastic musical interpretations of Sor’s work without the extra fuss but the best and most listenable interpretations in my opinion are those that learn to play like Sor. Beginner students should just aim for control and go slowly. Should I, for example, be consistently using M and A to alternate on the E string when playing the D string with my thumb? In general, the right hand is able to produce a cleaner, more varied and controlled staccato than the left hand. 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