The D12, and its successor the D12E, are arguably the best-known early dynamics dedicated to kick drum and other bass instruments. Slightly different frequency responses, shock mountings and filters. Cardioid Apart from the D12 itself, there were a number of similar (theme and variations) microphones from AKG including the D20, D25, D30 etc. Suitable for instruments and vocals. This means that it “hears” best what happens in front of it while rejecting sound from the sides or rear. As a technician, I have a real love-hate relationship with AKG mics in general and the D12 and D19 in particular. After some preliminary research I soon discovered that all the drummers I know ‘treat’ their bass drums in some way or another, ranging from bits of tape, damping rings, Moon Gel, special heads, cushions, pillows and even a duvet! It would appear that pretty much the last thing anyone wants to hear is the actual sound of the bass drum! Hi, I'm not satisfied with the recordings of my Upright bass I've done so far using conventional mics. The sound entry of the D 12 is bright nickel plated. A couple of weeks ago I sat down to write this blog post on the AKG D12 and had intended, as usual, to illustrate with some suitable recorded examples…….. Now here’s the problem. Philips LBB9050/05 Dual Capsule Dynamic Microphone 1970, American Microphone Company D9A/ D9AT ‘Skyscraper’ (1938- circa 1958), Electro-Voice DO56L Dynamic Shock Mount Omni circa 1980. I didn’t know about the connection with Meazzi. Hello to all you miclovers out there ! The AKG Model D 12 E. cardioid dynamic microphone. I believe Meazzi also made the Echomatic which Hank B Marvin used to get his shimmering guitar sound around the same time. -27 thread, and a foam-lined vinyl carrying case shall also be provided. AKG D12 E Technical Specifications The D12 was rebranded by numerous other electronics corporations, including Philips and Echolette. Description. Hi everybody ! Please let us know! Maybe? Although they are robust to a point, the voice coil and diaphragm go brittle with age and when they fail, there are no spare parts to get them running again. AKG D12. Apart from the D12 itself, there were a number of similar (theme and variations) microphones from AKG including the D20, D25, D30 etc. It has appeared in front of more famous bass drums than most! The D 12 is a Cardioid dynamic microphone. The same might be true for a great saxophone, a terrific trumpet or a classic guitar through a vintage amp. If I am commissioned to record a fabulous Stradivarius violin, or a superb Steinway piano, my intention (as you might expect), would be to reproduce the sound of that instrument as faithfully as possible along with the acoustics of the studio or concert hall. In 1978 the AKG D12 was reissued as the AKG D12E and now came with an XLR socket. I own an early example with the metal ring around the basket . The AKG D 12 is a dynamic microphone with a cardioid polar pattern. This was a D-12 variant and the shop owner, who used to work in the Meazzi factory in Milan in the early 60s, told me about the AKG connection and that AKG sent the components to Meazzi from Germany. ( Log Out /  With the growth of multi-track recording in the 1960’s the D12’s particular ability to handle low frequencies at high SPLs was soon acknowledged and increasingly it gravitated to bass drum duties. I owned some D12 and used it on bass , acoustic double bass , big bass drum , horns , bodhran , Leslie cabin and ………vocals ! Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. , are arguably the best-known early dynamics dedicated to kick drum and other bass.. Nickel plated a D12 on the cab with Meazzi a vintage amp above to proceed for jazz icon Log! Great when working, but without the chrome and the stylish good looks!.. 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